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Rules
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Download the 2008 Rules & Regulations Manual (.pdf) |
Revised 1/29/08 |
| The following rules are in effect for the 2008
Indiana Percussion Association Competitive Season: |
IPA discourages independent percussion ensembles from
utilizing membership composed of any high school
students who were previously enrolled in an active high
school program and have not yet graduated.
All performers at an IPA event will be required to wear
protective footwear while outside the performance area.
ELIGIBILITY
1.1 Percussion ensembles from Indiana composed of
members who have not reached their 23rd birthday on
March 31st of any given year shall be permitted to
compete in contests governed by IPA, Inc. Each unit
appearing at an IPA Contest shall be prepared to show
proof of age.
1.2 All members of any percussion ensemble
competing in any scholastic class must be approved for
participation by the principal of the sponsoring school.
Each school shall be prepared to show proof of
enrollment in sponsoring schools.
1.3 No percussion ensemble may compete with less
than five (5) members on the floor of competition at any
time including the student conductor (optional).
1.4 Marching and Concert percussion ensembles may
use one optional student conductor positioned in or out
of the competition area. The optional student conductor
may not cross the front sideline during the performance.
PENALTY: Disqualification – any units violating
any requirements in the eligibility section shall be
disqualified and its position and standing in the
contest shall be forfeited
CLASSIFICATIONS
2.1 Scholastic Marching World Class (PSW)
ensembles demonstrate a high degree of advanced
development. All of the performers contribute to the
consistent high levels of performance being
demonstrated. World Class ensembles are trendsetters in
the indoor percussion activity. Programs are unique and
innovative and these components are important at this
level. Some very sophisticated challenges will be placed
on the performers.
2.2 Scholastic Marching Open Class (PSO)
ensembles have some experience in the indoor percussion
arena. Open Class ensembles have several members who
understand the skills required to perform intermediate
levels of playing and movement. Here is where the
intermediate student explores new challenges through
performance and realizes a greater sense of achievement
as each more complex skill is learned.
2.3 Scholastic A Marching Class (PSA) ensembles
are the younger, less developed participants. Here is
where the beginning student discovers the joy of
performing and realizes the sense of achievement as each
skill is learned.
2.4 Scholastic Concert World Class (PSCW) is for
those scholastic ensembles who wish to concentrate on
the percussive element only. Instrumentation must be
oriented to the performance of concert percussion.
Movement will be permitted in order to allow performers
to change equipment or to allow for better presentation
of musical performance only. One student conductor is
allowed in the concert classes. This is not a
marching/visual class. Credit will be given for musical
elements only. These performers are experienced and
fully trained. Trend setting programs and performance
levels are often displayed.
2.5 Scholastic Concert Open Class (PSCO) is for
those scholastic ensembles who wish to concentrate on
the percussive element only. Instrumentation must be
oriented to the performance of concert percussion.
Movement will be permitted in order to allow performers
to change equipment or to allow for better presentation
of musical performance only. One student conductor is
allowed in the concert classes. This is not a
marching/visual class. Credit will be given for musical
elements only. Open Class ensembles have several members
who understand the skills required to perform
intermediate levels of playing.
2.6 Scholastic Concert A Class (PSCA) is for
those scholastic ensembles who wish to concentrate on
the percussive element only. Instrumentation must be
oriented to the performance of concert percussion.
Movement will be permitted in order to allow performers
to change equipment or to allow for better presentation
of musical performance only. One student conductor is
allowed in the concert classes. This is not a
marching/visual class. Credit will be given for musical
elements only. A Class ensembles are for the younger,
less developed participants. Here is where the beginning
student discovers the joy of performing
and realizes the sense of achievement as each skill is
learned.
2.7 Independent Classes (PIW, PIO, PIA) uses the
same criteria as the scholastic classes. (IPA uses the
WGI PIW, PIO, PIA sheets for these classes). Independent
groups competing in WGI must compete in the same
respective class in IPA contests. Independent units can
be reclassified at any time if deemed misclassified by
the IPA Executive Board. Independent ensembles seeking
membership in the Indiana Percussion Association, Inc.
must provide documentation of legal residence in the
state of Indiana and present themselves at all local and
national level events as residents of Indiana, as well
as bonafide member of IPA, Inc.
CONTEST SITE
3.1 MARCHING DIVISIONS: For the purpose of
interpretation, the “contest floor” shall be indoors and
measure 65’ x 100’ with the front sideline and
centerline clearly marked. Side and rear boundaries
shall be the entire gym floor and surrounding area and
shall be called the competition area. A diagram (floor
plan) shall be sent to all competing units to identify
the competition area.
3.2 CONCERT DIVISIONS: For the purpose of
interpretation, the “contest floor” shall be indoors and
may be either a gym floor (same as marching classes) or
a suitable auditorium stage.
3.3 Competition area shall have 110 Volt grounded
power sources located near the front and back at the
centerline of the competition area. Contest host will
provide this power using 12 gauge extension cords, not
to exceed 50 ft. in length. These cords are to maintain
a direct connection to the outlet (no power strip
between cord and outlet). Participants must provide
their own extension cords to reach the centerline power
sources.
SCORING
4.1 The elements to be judged are:


4.2 The Performance Analysis Judge will be
positioned low in the stands and may move in order to
better appraise the individuals within the ensemble.
Timing and Penalty Adjudicators will be positioned on
the floor. The General Effect and Visual Adjudicators
will be positioned higher in the stands.
4.3 Each level of classification has a set of
score sheets unique to its classification.
EQUIPMENT
5.1 Instrumentation is limited to those
instruments typically utilized and recognized as part of
a percussion section. Also allowed are electronic
instruments recognized as normal stage and band rhythm
section instruments. Conventional wind and/or string
instruments (other than string bass and guitar) may not
be used. Single tone, non-keyed horns (i.e. whistles,
sirens, animal calls, etc.) may be used only if
generating an effect, and may not be used in any melodic
form.
PENALTY: 10 Points
5.2 No single, triggered, electronic sound may
produce rhythmic intent.
PENALTY: 10 Points
5.3 If an electronic mixing board is used, only
student personnel may operate it. No communicating
devices may be used in order to assist the mixing
operator.
5.4 All equipment and props must be placed
anywhere in the competition area. The front sideline is
inviolate at all time (this includes all sound
equipment) except during set up and tear down.
PENALTY: 0.1 to 5.0 points per violation at the
discretion of the chief judge.
5.5 Permission for use of copyrighted material is
the responsibility of the participants
5.6 No motorized vehicles will be allowed.
Wheelchairs for disadvantaged performers are accepted.
PENALTY: Disqualification
5.7 No pyrotechnics, discharge of arms,
pressurized canisters, dangerous materials, inflammable
liquids or animals will be permitted in or around the
competition area. Smoke machines will not be allowed.
Electrical (plug – in or battery operated) or compressed
air apparatuses, including lights, lasers, and flash
cubes (electrical or chemical) will not be allowed.
Amplification may be used in the competition area by
performers playing musical instruments, singing or
voice. The electrical source for electronic instruments
must be a 115/120v typical wall outlet as noted on the
footprint of the facility as supplied by the sponsor.
Car/truck type wet batteries cannot be used. Gasoline,
electric, or manual powered generators will not be
allowed. Lighting cannot be turned off in the
competition area by a unit.
PENALTY: 10 points to disqualification.
5.8 For the protection of the wooden competition
floors, all equipment must be properly taped or
otherwise be prepared to assure that damage to the
floors will not occur. Inspection will occur at all
Invitationals, Prelims, and Finals. Damage to the floor
such as may occur by dragging the tympani; wheels on
carts locking, carts used for instruments, props, etc.
will be the responsibility of the units and is subject
to penalty.
PENALTY: 0.1 to disqualification at the
discretion of the chief judge.
5.9 the use of powder, dirt or any other airborne
substance shall be strictly prohibited.
PENALTY: 0.1 to disqualification at the
discretion of the chief judge.
5.10 Wireless mic transmitters may only be used
during a unit's performance interval time.
PENALTY: 0.1 to disqualification at the
discretion of the chief judge.
CONDUCT OF UNITS
6.1 An ensemble performance is limited to the
designated “contest floor” (65’ x 100’) and surrounding
area or auditorium, depending on class. The front
sideline is inviolate.
6.2.1 A percussion ensemble will be scheduled to
compete at a minimum of nine (9) minute intervals for
“A” class units; ten (10) minute intervals for “Open”
class units and eleven (11) minute intervals for “World”
class units. The time interval will include set up,
entrance, warm up, performance, exit and removal of all
equipment, props, personnel, etc. This time schedule may
be expanded at the option of the Contest Director, but
not lessened.
PENALTY: 0.5 points for each five (5) minutes of
lateness (missing scheduled performance time) or part
thereof up to the conclusion of the contest.
PENALTY: 0.1 points for each three (3) seconds or
fraction thereof.
6.2.2 The maximum performance time ceases when a
unit quits playing or leaves the floor, whichever comes
first, and shall not exceed six (6) minutes for “A”
class units; seven (7) for “Open” class units; eight (8)
for “World” class units.
PENALTY: 0.1 points for each three (3) seconds of
overtime or fraction thereof.
6.2.3 Percussion ensembles, with all competing
personnel, shall remain within the competition area and
be judged in all captions for a minimum of four (4)
minutes.
PENALTY: 0.1 points for each three (3) seconds of
under time or fraction thereof.
6.2.4 All captions will be judged for the maximum
performance time or until the unit ceases playing or
leaves the floor, whichever comes first. Timing and
penalty will continue until performers and equipment are
off of the floor. The contest director will place an
appropriate line defining when an ensemble has left the
floor for timing purposes.
6.3 Units competing at IPA contests cannot be
required to perform before the time set in the latest
schedule for the contest, distributed by IPA.
6.4 UNIT TIMING OVERVIEW: Marching & Concert
Ensembles
| Class |
Minimum Performance Time |
Maximum Performance Time |
Interval Time |
| |
| World |
4 Minutes |
8 Minutes |
11 Minutes |
| Open |
4 Minutes |
7 Minutes |
10 Minutes |
| A Class |
4 Minutes |
6 Minutes |
9 Minutes |
6.5 In the case of a Director/Staff Personnel
must be removed from a critique/competition setting, the
IPA Executive Board will be contacted and the following
will occur: 1) The IPA Executive Board will evaluate the
problem. 2) A letter will be sent to the building
principal and band director (if not the offending
person). 3) A $250.00 fine will be assessed and must be
posted before the unit’s next performance. 4) Critique
privileges will be suspended from one (1) critique to
one (1) year. Suspensions handed down will be for the
unit as a whole, as well as the offending individual.
Each case will be discussed and evaluated on a case by
case
basis.
ENTRY
7.1 An ensemble may enter the contest floor
over any line. However once the performance begins, the
front sideline and its vertical plane becomes inviolate
and subject to boundary penalty.
PENALTY: 0.1 points for each offense of the front
boundary line violation.
7.2 Units may enter with a “tap” prior to
introduction or may include a playing entrance as a part
of the performance following introduction.
7.3 Any equipment or props may be placed within
the competition area by anyone prior to the start of
competition. (Adults are not permitted to stay in the
competition area during a performance.)
7.4 The unit will line up at a ready line
(preferably side and back line if facility allows) to be
designated by the Contest Director. From this point, the
unit should move directly and immediately into the
competition area when directed by the starter (T&P judge
or contest director). They may set up anywhere in the
competition area.
7.5 Performance time begins with the first note
or step following the introduction.
EXIT
7.6 Exit may be over any line at the conclusion
of the performance
7.7 All personnel, equipment, and/or props must
be off the contest floor, clear of the 50/50 line at the
conclusion of the interval time. For purpose of timing,
equipment and props are considered removed when they
have been moved across a center line either horizontal
or vertical depending on the contest site. After the
equipment/props have crossed this line, they must be
removed from the area immediately and taken to an area
designated by the Contest Director. Failure to remove
equipment and props to the designated area in a timely
manner is subject to a penalty at the discretion of the
Contest Director. Backside and sideline usage will be at
the discretion of the contest director, as defined by
the facility. A map of the “contest floor” will be
included in the unit’s packet defining the 50/50 line as
vertical or horizontal. Facilities may designate how
units will unfold and fold their floors whether it be
front to back, back to front, left to right, or right to
left depending on entrance and exit doors.
7.8 There will be no flying of tarps (also
known as “ballooning”) to clear the floor at the
conclusion of a unit’s performance.
PENALTY: Disqualification
7.9 During a performance, adult or non –
performing student personnel may not coach, cue, etc.
any performing members.
PENALTY: 0.1 to disqualification at the
discretion of the Chief Judge.
PENALTIES
8.1 Only the Chief Judge may assess a penalty.
Judges report all violations to the Chief Judge.
8.2 General: Any unit violating any rule or part
of a rule or committing any breach of contest etiquette
for which no specific penalty is provided shall be
penalized for each such violation, not less than 0.1
points, not more than disqualification from the contests
at the discretion of the Contest Director.
8.3 All timing penalties shall be 0.1 points per
three (3) seconds or fraction thereof. All boundary
penalties shall be 0.1 points per offense.
IPA INCLEMENT WEATHER/TERROR ALERT
POLICY
9.1 In the event that a portion or all of the
State of Indiana is struck by inclement weather on a day
of a scheduled IPA competition(s), it may be necessary
to cancel the competition(s) for the safety and ultimate
well being of our membership.
9.1.1 The decision to cancel a scheduled IPA
competition may be made by the members of the IPA
executive board if 50% of the scheduled units fail to
attend the event. If however, a simple majority of the
scheduled units are in attendance, IPA will allow the
scheduled competition to take place. The final decision,
though, will always rest with the administration of the
host school. Once this decision has been made by the
host school’s administration, every attempt will be made
to communicate this information to the directors of the
competing ensembles in a timely fashion.
9.1.2 All competing members of IPA must have a
“day of contest” emergency cell phone contact number on
file with IPA. It is the responsibility of the contest
host to communicate the decision of the host school
administration to the directors of the competing
ensembles via the emergency cell phone number contact.
In the event an IPA competition must be cancelled, every
effort will be made to communicate this decision to the
membership via the official IPA Inc. web site.
www.indianapercussion.org. In case of any emergency
cancellation of an IPA event, it is essential that IPA
Inc. and its entire membership share the responsibility
of communication and cooperation needed to insure the
safety, well being, and convenience of our entire
membership.
9.1.3 Those ensembles that are scheduled to
participate in an IPA Inc. competition but are unable to
fulfill their performance responsibility due to
inclement weather or terror alert status, are required
to submit a letter of explanation from their building
administrator or school superintendent explaining that
their absence was the result of a school administrative
decision. The letter must be written on school
letterhead and submitted to IPA Inc. within one week of
the event. Units will not be allowed to participate
further in IPA events until the letter is received by
IPA Inc. |